Music and Morality
Black and White
My
fingers slip along the keys
in
front of me.
Smooth,
and yet
my
hands
trail
salty, sticky sweat
on
each key I trace.
People
are looking at me –
people
I know
and
people I don’t.
Anxiety;
I
imagine the black pupils
and
whites of their eyes
like
the keys of the piano,
ebony
and ivory.
No.
Focus;
I
have to focus.
The
keys under my skin are separate
like
angels dressed in white robes
lying
parallel to devils
smothered
in black feathers.
I
see them bicker as I hear
the
tinkling chords hammered down,
painting
the world
in black and white,
up and down,
right and wrong.
Every
breath I take in
is
like a shudder from my core.
I
feel my body reverberate
with
the same vibration
emanating
from each of the strings.
Wrong.
Not disconnected.
Yes,
the
music is made with the blend
of
obsidian and cream.
Everything
around me blurs,
from
the stage to the rafters overhead,
and
I am finally pulled
into
the melody my fingers are conducting.
Even
the lines between the keys
blur
and I can no longer feel
the
eyes trained on me
or
the white, stage light on my back.
Black
and white becomes grey –
grey like the sky after it rains,
grey like the old, silent movies in the
20’s
before technology could handle the
world in full color.
And
the greyer the keys become,
the
more clearly my music resonates
within me.
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